tag:blogger.com,1999:blog-57351958361578852922024-02-07T11:22:51.252-08:00Urban OtaniemiUnknownnoreply@blogger.comBlogger8125tag:blogger.com,1999:blog-5735195836157885292.post-5540960475104463722016-05-13T10:02:00.003-07:002016-05-13T12:15:24.608-07:0013.5. - Urban Otaniemi Day<br />
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<span style="font-family: "helvetica"; font-weight: 700;">Hang with us in #urbanotaniemi </span></div>
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<span style="font-family: "helvetica"; font-size: 11.000000pt;"><br /></span>
<span style="font-family: "helvetica"; font-size: 11.000000pt;">On Aalto University’s course </span><span style="font-family: "helvetica"; font-size: 11.000000pt; font-style: oblique;">Situated Urban </span><span style="font-family: "helvetica"; font-size: 11.000000pt;">we started exploring the environment of
Otaniemi, a place of study, and for some a living place. As a campus area, and with the incoming
metro line becoming an increasingly more substantial part of Helsinki, we started discussing and
exploring the urban side of the space. We inquired into the already urban aspects of Otaniemi and
their potential.
</span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt;">We wanted to experience Otaniemi as an urban space. We are doing this through an
experimental performative action, which will be live-streamed. We plan to set our minds to perceive
Otaniemi as urban, which will transcend into action. </span><br />
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<span style="font-family: "helvetica"; font-size: 11.000000pt;">Jernej </span><span style="font-family: "helvetica"; font-size: 11.000000pt;">Č</span><span style="font-family: "helvetica"; font-size: 11.000000pt;">u</span><span style="font-family: "helvetica"; font-size: 11.000000pt;">č</span><span style="font-family: "helvetica"; font-size: 11.000000pt;">ek Gerbec, Ilona Lehtonen, Annika Maus, Anna-Sofia Sysser, Hiromu Yoshimine, Zhen
Zhang
</span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt;">sekatekniikka, sosiaalinen media
</span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt; font-style: oblique;">mixed (social) media, multilingual
</span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt;">Kokeiluja ja kokemuksia urbaanista tilasta. SUORA LÄHETYS!
</span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt; font-style: oblique;">Exploration and experience of a space as urban. LIVE NOW!
</span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt;">Livestream:
http://www.periscope.tv/ViMMA_Aalto
Periscope and Twitter @ViMMA_Aalto
#Aalto #ViCCA #art #intervention
</span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt;">Tutkimme Otaniemen urbaaniutta sekä tilan haltuun ottamista “hengaamisen” kautta. Projekti
toteutetaan osana Aalto-yliopiston Situated Urban -kurssia.
</span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt;">As a part of Aalto University’s course Situated Urban we are exploring the urban elements of
Otaniemi through performative action of hanging out. </span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt;"><br /></span>
<span style="font-family: "helvetica"; font-size: 11.000000pt;"><br /></span>
<span style="font-family: "helvetica"; font-size: 11.000000pt;">And some images of the hanging out by Taina:</span><br />
<span style="font-family: "helvetica"; font-size: 11.000000pt;"><br /></span>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5735195836157885292.post-82583811791583110452016-05-13T09:47:00.001-07:002016-05-13T12:15:49.559-07:00The Invisible city of Otaniemi<div class="MsoNormal">
<span style="font-family: "baskerville old face";">Le città
nascoste 3,14 <o:p></o:p></span></div>
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<span style="font-family: "baskerville old face";">Otaniemi è
una città che risulta urbana solo dall’ interno. Fuori sembra una collezione di
edifici di mattoni rossi sparsi tra gli alberi e cespuglie. Soltanto dentro le
case si trovano spazi pubblici, folle e movimento, incontri aleatori, luoghi
memorabili e le loro dèi. Gli abitanti di Otaniemi da maggior parte non vivono
li, ma altrove. Otaniemi per loro en uno spazio di passato, di ricordi e sogni,
paure ed amori; oppure una presenza temporanea, una parte della loro vita che
non ha niente a fare con realta quotidiana. Per questa non cambia mai nulla,
anche se si construiscono altre case di mattoni rossi. Qualunque che volesse
una dimora diversa, semplicemente va via, portando soltanto i ricordi con se.<o:p></o:p></span></div>
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<span style="font-family: "baskerville old face";">Hidden
cities 3,14<o:p></o:p></span></div>
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<span style="font-family: "baskerville old face";">Otaniemi is
a city that is urban only at the interior. Without it looks like a collection
of red brick buildings dispersed among trees and bushes. Only inside the houses
can you find public spaces, crowds and movement, random encounters, memorable
places and their gods. Most of the inhabitants of Otaniemi don’t live in the
city, but somewhere else. For them Otaniemi is a space of the past, of memories
and dreams, fears and loves; or a transitory presence, a part of their lives
that has nothing to do with everyday reality. Because of this nothing ever
changes, even if more red brick buildings are constructed. Anybody who wants a
different dwelling simply goes away, taking with them only the memories.<o:p></o:p></span></div>
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<span style="font-family: "baskerville old face";">Kätketyt
kaupungit 3,14<o:p></o:p></span></div>
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<span style="font-family: "baskerville old face";">Otaniemi on
kaupunki joka on urbaani vain sisätiloissa. Ulkoapäin se näyttää punatiilisten
talojen kokoelmalta, joka on siroteltu puiden ja pensaiden keskelle. Vain
talojen sisällä on julkisia tiloja, ihmisjoukkoja ja liikettä, satunnaisia
kohtaamisia, ikimuistoisia paikkoja ja niiden jumalia. Otaniemen asukkaista suurin
osa ei asu Otaniemessä, vaan muualla. Otaniemi on heille menneisyyden tila,
muistojen ja unelmien, pelkojen ja rakkauksien tila; tai tilapäinen olotila,
osa heidän elämäänsä jolla ei ole mitään tekemistä jokapäiväisen todellisuuden
kanssa. Tämän vuoksi mikään ei koskaan muutu, vaikka rakennettaisiin uusia
punatiilisiä taloja. Se joka haluaa muunlaisen asuinpaikan yksinkertaisesti
lähtee tiehensä, vieden mukanaan vain muistonsa.<o:p></o:p></span><br />
<span style="font-family: "baskerville old face";"><br /></span>
<span style="font-family: "baskerville old face";">Taina Rajanti</span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5735195836157885292.post-37132159339846677222016-04-28T00:36:00.000-07:002016-04-28T00:36:15.485-07:0027.4. TextsWe went through a choice of texts - some more academic, some more fictitious.<br />
<br />
<b>Georg Simmel: Metropolis and Mental Life 1903</b><br />
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">"The psychological basis of the
metropolitan type of individuality consists in the <i>intensification of
nervous stimulation</i> which results from the swift and uninterrupted change
of outer and inner stimuli. <span style="mso-bidi-font-weight: bold;">Man is a
differentiating creature.</span> His mind is stimulated by the difference
between a momentary impression and the one which preceded it. Lasting
impressions, <a href="https://www.blogger.com/blogger.g?blogID=5735195836157885292" name="4"></a>impressions which differ only slightly from one
another, impressions which take a regular and habitual course and show regular
and habitual contrasts-all these use up, so to speak, less consciousness than
does the rapid crowding of changing images, the sharp discontinuity in the
grasp of a single glance, and the unexpectedness of onrushing impressions.
These are the psychological conditions which the metropolis creates. With each
crossing of the street, with the tempo and multiplicity of economic,
occupational and social life, the city sets up a deep contrast with small town
and rural life with reference to the sensory foundations of psychic life. The
metropolis exacts from man as a discriminating creature a different amount of
consciousness than does rural life. Here the rhythm of life and sensory mental
imagery flows more slowly, more habitually, and more evenly. Precisely in this
connection the sophisticated character of metropolitan psychic life becomes
understandable - as over against small town life which rests more upon deeply
felt and emotional relationships. These latter are rooted in the more
unconscious layers of the psyche<a href="https://www.blogger.com/blogger.g?blogID=5735195836157885292" name="5"></a> and grow most readily in the
steady rhythm of uninterrupted habituations. <span style="mso-bidi-font-weight: bold;">The intellect<a href="https://www.blogger.com/blogger.g?blogID=5735195836157885292" name="6"></a>, however, has its locus in the transparent,
conscious, higher layers of the psyche</span>; it is the most adaptable of our
inner forces. In order to accommodate to change and to the contrast of
phenomena, the intellect does not require any shocks and inner upheavals; it is
only through such upheavals that the more conservative mind could accommodate
to the metropolitan rhythm of events. Thus the metropolitan type of man-which,
of course, exists in a thousand individual variants - <span style="mso-bidi-font-weight: bold;">develops an organ protecting him</span> against the threatening currents
and discrepancies of his external environment which would uproot him.<span style="mso-bidi-font-weight: bold;"> He reacts with his head instead of his
heart.</span> In this an increased awareness assumes the psychic prerogative.
Metropolitan life, thus, underlies a heightened awareness and a predominance of
intelligence in metropolitan man. The reaction to metropolitan phenomena is
shifted to that organ which is least sensitive and quite remote from the depth
of the personality. <span style="mso-bidi-font-weight: bold;">Intellectuality is
thus seen to preserve subjective life against the overwhelming power of metropolitan
life,</span> and intellectuality branches out in many directions and is
integrated with numerous discrete phenomena."</span><o:p></o:p></div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"><b>Italo Calvino: Invisible cities 1972</b></span></div>
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<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"><br /></span></div>
<div class="MsoNormal">
Cities and memory 3: Zaira</div>
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<br /></div>
In vain, great-hearted Kublai, shall I attempt to describe Zaira, city of
high bastions. I could tell you how many steps make up the streets rising like
stairways, and the degree of the arcades’ curves, and what kind of zinc scales
cover the roofs; but I already know this would be the same as telling you
nothing. The city does not consist of this, but of relationships between the
measurements of its space and the events of its past: the height of a lamppost
and the distance from the ground of a hanged usurper’s swaying feet; the line
strung from the lamppost to the railing opposite and the festoons that decorate
the course of the queen’s nuptial procession; the height of that railing and
the leap of the adulterer who climbed over it at dawn; the tilt of a guttering
and a cat’s progress along it as he slips into the same window; the firing
range of a gunboat which has suddenly appeared beyond the cape and the bomb
that destroys the guttering; the rips in the fish net and the three old men
seated on the dock mending nets and telling each other for the hundredth time
the story of the gunboat of the usurper, who some say was the queen’s
illegitimate son, abandoned in his swaddling clothes there on the dock.<o:p></o:p><br />
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<span style="font-family: "cambria"; font-size: 12.0pt;">As this wave from memories flows in, the city
soaks up like a sponge and expands. A description of Zaira as it is today
should contain all Zaira’s past. The city, however, does not tell its past, but
contains it like the lines of a hand, written in the corners of the streets,
the gratings of the windows, the banisters of the steps, the antennae of the
lightning rods, the poles of the flags, every segment marked in turn with
scratches, indentations, scrolls.</span><!--EndFragment-->
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<span style="font-family: "cambria"; font-size: 12.0pt;">Illustration of Zaira by Karina Puente.</span></div>
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<span style="font-family: "cambria"; font-size: 12.0pt;"><b>Jane Jacobs: Death and Life of Great American Cities 1961</b></span></div>
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<span style="background-color: white; color: #222222; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13px;">“Great cities are not like towns, only larger. They are not like suburbs, only denser. They differ from towns and suburbs in basic ways, and one of these is that cities are, by definition, full of strangers. To any one person, strangers are far more common in big cities than acquaintances. More common not only in places of public assembly, but more common at a man’s own doorstep. Even residents who live near each other are strangers, and must be, because of the sheer number of people in small geographical compass.</span><br />
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<span style="background-color: white; color: #222222; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 13px;">The bedrock attribute of a successful city district is that a person must feel personally safe and secure on the street among all these strangers.”</span></div>
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<span style="color: #222222; font-family: "arial", "tahoma", "helvetica", "freesans", sans-serif; font-size: x-small;"><span style="background-color: white;"><b>David Evans ed.: The Art of Walking 2013</b></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjczzqRGCEsiz3C6AQ7tJ2QC-4X-UFwIlRlXMXya_7rzPW46jVjXIOuZXORaMdzLpVKZdO58-JJoTK44XlD1Ce_lBI5VQobgQtCc7v9FavoEtoicoVuwbE_mS7riI_dC7fO8R9ejYS0dq0N/s1600/the-art-of-walking-dave-evans.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjczzqRGCEsiz3C6AQ7tJ2QC-4X-UFwIlRlXMXya_7rzPW46jVjXIOuZXORaMdzLpVKZdO58-JJoTK44XlD1Ce_lBI5VQobgQtCc7v9FavoEtoicoVuwbE_mS7riI_dC7fO8R9ejYS0dq0N/s320/the-art-of-walking-dave-evans.jpg" width="237" /></a></div>
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<b>William Gibson: Count Zero 1986</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq1bZL-aReA1436qBiE3oQGepM4wGpiKnMHnMWwcz9r295KScW6PoSvjS32-bc9FR46OIQM7MD7lap4SCQ7FD-i6LrBjBiI1UQGY5uYSyH0nepm_U6J7agouzDTm24tcks-vJJBuLKWTNe/s1600/22200.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq1bZL-aReA1436qBiE3oQGepM4wGpiKnMHnMWwcz9r295KScW6PoSvjS32-bc9FR46OIQM7MD7lap4SCQ7FD-i6LrBjBiI1UQGY5uYSyH0nepm_U6J7agouzDTm24tcks-vJJBuLKWTNe/s320/22200.jpg" width="212" /></a></div>
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<b><br /></b><br /><b>Peter Bishop and Lesley Williams: The Temporary City 2012</b></div>
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<em>The Temporary City</em> is a great overview of, say, ten years of
temporary urban initiatives and development efforts. Showcasing a rich
variety of good practices, the book describes what has happened over the
last years in planning and urbanism, when the pop-up trend became more
relevant. Bishop and Williams focus both on theory and practice. On the
one hand a wide range of urban interventions, bottom-up projects and
design solutions are featured, but one the other hand the books poses
the question why urban planning and design have always been so intrigued
with permanence.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5735195836157885292.post-44633014115523360262016-04-25T05:04:00.003-07:002016-04-27T03:24:03.062-07:00Metropolis - and what is that? 14.4.Eetu Viren talked about metropolis. If you know Finnish you can also read the book Viren & Vähämäki: <i>Seutu joka ei ole paikka - </i>see also<i> </i>Pontus Purokuru's review <i><a href="http://www.revalvaatio.org/,,/prekariaatin-monumentti/">Prekariaatin monumentti</a></i> of the book.<br />
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We started with some images discussing how to define metropolis - I'm posting some similar ones:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaqeS84e-rOR4T9W5ehPnIOQRurM0cZZ6n0vzg3X418uWU_ohD0x3-NnDk1B4qHM-kS6Jnq3HlnLbPJR6jtGSGg3eH-6i_MRFIwA4ghhnKKUqrnxxGNL7PMsU1OnvM5SKgQo8jG1-2TofD/s1600/582636_10150674572677913_461450817_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaqeS84e-rOR4T9W5ehPnIOQRurM0cZZ6n0vzg3X418uWU_ohD0x3-NnDk1B4qHM-kS6Jnq3HlnLbPJR6jtGSGg3eH-6i_MRFIwA4ghhnKKUqrnxxGNL7PMsU1OnvM5SKgQo8jG1-2TofD/s320/582636_10150674572677913_461450817_n.jpg" width="320" /></a></div>
<span id="goog_902916450"></span><span id="goog_902916451"></span><br />
Take the metro to the final destination in a suburb and you'll always find an Asian Fusion take-away. Mixture of cultures, ethnicities and extending outside all borders. In fact, not "mother-city" sending out extensions to colonies, but original urban mixture - "urban immensities".<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_SI46O9sIW57e51BYNHvJzviuvX1qlPO_I-fX8n_5J9sD4eUV6LaVaJtDbWY2MzeXJlQsYOMolx5J0X_l4R-RbiVpNxrrPYVTf7bMiye1gkEJiskXulhiedUgvEVNRR93O5MyATXalypp/s1600/Murales_Rivera_-_Markt_in_Tlatelolco_3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_SI46O9sIW57e51BYNHvJzviuvX1qlPO_I-fX8n_5J9sD4eUV6LaVaJtDbWY2MzeXJlQsYOMolx5J0X_l4R-RbiVpNxrrPYVTf7bMiye1gkEJiskXulhiedUgvEVNRR93O5MyATXalypp/s320/Murales_Rivera_-_Markt_in_Tlatelolco_3.jpg" width="320" /></a></div>
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Original also in the sense that metropolis is not a merely modern, global big city - but something that we have had before in history. And in fact, we had a long talk and Eetu explained his idea about where culture and man as a cultural animal comes from: cities are born from the original need to meet, drink beer and have sex with strangers. Not commerce or war-fare. Whole theory and speculation where our brains came from.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWACzZlrq4zDCtCNUxOgDQEmjtfkrnikuPdqqbo0gUtDQdj81nHa8BG4ll-dZtuwxE3YhKkAtKwGM7y4icw3q2TAqMfXCKHDkqcLlK-5b83ylgI6A8e77kIKAgbDxiYrMWWzw3yS0HSZ8e/s1600/Tokyo_smart_meter_City_Life_magazine.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWACzZlrq4zDCtCNUxOgDQEmjtfkrnikuPdqqbo0gUtDQdj81nHa8BG4ll-dZtuwxE3YhKkAtKwGM7y4icw3q2TAqMfXCKHDkqcLlK-5b83ylgI6A8e77kIKAgbDxiYrMWWzw3yS0HSZ8e/s320/Tokyo_smart_meter_City_Life_magazine.jpg" width="320" /></a></div>
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The global actual metropolis then: every space is covered with advertisement - surfaces are not solid, flow of information and communication is expanding everywhere.<br />
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One grounding concept or theory that Eetu also talked about was the production of value: out of the fordist factory, where time and space of production was defined and limited and the end product was a tangible commodity we have moved to a process of production that has expanded outside the factory. As Toni Negri said, the metropolis is to the post-fordist production what the factory was for fordism. The value of the tangible end-product is now a minimal part of the value production, the main part being made up of the "brand" - and the brand is something produced by all who use and consume the products. Value production has expanded like the metropolis, like our form of life.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5735195836157885292.post-58636502024809851152016-04-14T12:32:00.001-07:002016-04-14T12:32:04.303-07:00Imagining Otaniemi 13.4.First Kristo Vesikansa told us about the history of Otaniemi, showing a wealth of interesting images. Now we know Otaniemi in the 1940ies was still mostly wood and some farm fields of the Otaniemi mansion. The campus of the then Helsinki University of Technology was a post-war effort, very much part of the general rebuilding, and also very much part of the initiative of the students and the student organisation. In fact the first edifices to be built were the student houses in the North. We saw a bunch of interesting architecture that is still part of Otaniemi - and then some bold proposals for the future. I'm putting some examples of the pictures with thanks to Kristo!<br />
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After the Otaniemi pictures there will be some pics from the drawing exercise we did with Anna K, drawing first a place that interests you, going through how you drew it and why, and then adding there something that would make the place a nice place you'd like to be in.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQcmBmUwfR9y49iwpIhIXTgFz7Iy5bwIxMaTMiv7eWQawt0zllo8xWk0M-kVOs4v5FU5Kc6TESpLAzIrZHnEz6nKEAMwU54INOzCYuiRvqLKqNV5OuHEaiJSXkN-2hs_LwrkdLG-_3lZE1/s1600/Otaniemi13042016+copy3.jpg" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQcmBmUwfR9y49iwpIhIXTgFz7Iy5bwIxMaTMiv7eWQawt0zllo8xWk0M-kVOs4v5FU5Kc6TESpLAzIrZHnEz6nKEAMwU54INOzCYuiRvqLKqNV5OuHEaiJSXkN-2hs_LwrkdLG-_3lZE1/s320/Otaniemi13042016+copy3.jpg" width="320" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLFuojJN2Ugu8o_gcCxCyngNnXvr-qPq20yKXWRl-bmN3IGuI5dDYeNpn823u34PphQMTdfUBGz0Yj45GXApZuN0QibBucR309UssNkOrmCZfvX4eBZe_ta2t7e77OJgcOHkLhZ921z_yG/s1600/Otaniemi13042016+copy4.jpg" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLFuojJN2Ugu8o_gcCxCyngNnXvr-qPq20yKXWRl-bmN3IGuI5dDYeNpn823u34PphQMTdfUBGz0Yj45GXApZuN0QibBucR309UssNkOrmCZfvX4eBZe_ta2t7e77OJgcOHkLhZ921z_yG/s320/Otaniemi13042016+copy4.jpg" width="320" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigcW-VWIzRZXkphp-yVSUzbVNfbWEvMJFeUnOpA_ygD7w9cy3FhLcAcBYg0ZVDkmZSpiXv7DUo_rWqIvWQTJx6B6qe-7z0US2nHfyGB8wQwzVWUm6ybURnK25_YHcUBmpkdiGt79muZcGo/s1600/Otaniemi13042016+copy5.jpg" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigcW-VWIzRZXkphp-yVSUzbVNfbWEvMJFeUnOpA_ygD7w9cy3FhLcAcBYg0ZVDkmZSpiXv7DUo_rWqIvWQTJx6B6qe-7z0US2nHfyGB8wQwzVWUm6ybURnK25_YHcUBmpkdiGt79muZcGo/s320/Otaniemi13042016+copy5.jpg" width="320" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhimRZ7FLHrcXjS5MignfBjYJYzvBcF8bF-NnsaHxw3ZLKXmQ7KlaxFDwD29qsEeibsIczbIhE1wdYbfN_J7JzN6XXebSmhPoGi9g5tawGcNhTgx2dTuuiB6y9t6kYDkUOYcJuBfX8yUZc/s1600/Otaniemi13042016+copy6.jpg" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhimRZ7FLHrcXjS5MignfBjYJYzvBcF8bF-NnsaHxw3ZLKXmQ7KlaxFDwD29qsEeibsIczbIhE1wdYbfN_J7JzN6XXebSmhPoGi9g5tawGcNhTgx2dTuuiB6y9t6kYDkUOYcJuBfX8yUZc/s320/Otaniemi13042016+copy6.jpg" width="320" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXiUI0nWO9GDidypg5YiZ7tyfwIU316sRcgdh_1pN31q2tc9BL3tugmyujWGf0KPyttkUZw_cbxRhZftC-I0XPOCwyKUMeoFSL0RmUK9JVNOtMVtLFfBa9Ej3LFQC4tbobzQ0KRA69RFsk/s1600/Otaniemi13042016+copy7.jpg" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXiUI0nWO9GDidypg5YiZ7tyfwIU316sRcgdh_1pN31q2tc9BL3tugmyujWGf0KPyttkUZw_cbxRhZftC-I0XPOCwyKUMeoFSL0RmUK9JVNOtMVtLFfBa9Ej3LFQC4tbobzQ0KRA69RFsk/s320/Otaniemi13042016+copy7.jpg" width="320" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbj87KaGFtfhOcMadNwBNc_D76nykgL-6VxMHWZfAbECzfJ5qoThHgnHcij_atZgCq68nMr7RZTCx7Wa7shdNNcqGzCfHCw5EfHXI8idL21Lo56g195mtfap1Ll-jG81gV24RFqdw5A9Xz/s1600/Otaniemi13042016+copy8.jpg" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbj87KaGFtfhOcMadNwBNc_D76nykgL-6VxMHWZfAbECzfJ5qoThHgnHcij_atZgCq68nMr7RZTCx7Wa7shdNNcqGzCfHCw5EfHXI8idL21Lo56g195mtfap1Ll-jG81gV24RFqdw5A9Xz/s320/Otaniemi13042016+copy8.jpg" width="320" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1pj97lFiuclEsq41lQhiY4vcsJoLIESZCPxhiNZ_uW-YBSxnG77HZWPA4WaeZZ8_zC_nhm-VcxLPTiHyOLneNZfllZduFQwFMYvdKcBwvc54YVYQJqQPz9baWgw4DqxiRVX3zh17QY7r7/s1600/12990885_10208524732263173_3115466229930056527_n.jpg" imageanchor="1"><img border="0" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1pj97lFiuclEsq41lQhiY4vcsJoLIESZCPxhiNZ_uW-YBSxnG77HZWPA4WaeZZ8_zC_nhm-VcxLPTiHyOLneNZfllZduFQwFMYvdKcBwvc54YVYQJqQPz9baWgw4DqxiRVX3zh17QY7r7/s320/12990885_10208524732263173_3115466229930056527_n.jpg" width="320" /></a><br />
Anna-Sofia adding stuff to her pictureUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-5735195836157885292.post-54241806770156351352016-04-11T10:37:00.000-07:002016-04-11T10:37:59.305-07:00Walking and experiencing space with Anna KholinaAnna told us about her doctoral thesis work and questions concerning design of urban space - and then experiencing urban space. Anna said:<br />
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<div>
What transforms our being in the urban space into an
experience? Can every encounter with the surroundings be considered an
experience, or is our perception only a fragmented sequence of fleeting
moments lost in time and space?</div>
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<div>
According to
John Dewey, an experience includes an active aspect (not just “Having an
experience”) and these two — having an experience and being active —
are interconnected. An experience happens when means are aligned with
ends, it includes the sense-giving consciousness (typical for human
beings) by which meanings are assigned to events.</div>
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<div>
Although
Dewey points towards the very important features that characterise an
experience, it is difficult to link his philosophical reflections with
the daily practice. One way to bridge this gap is to create an active
state of the experience artificially, for example, though a walk in the
urban space guided by a game-like set of cards, each containing a task
that transforms an ordinary routine into an active search for new
perspectives. Documenting the journey with the help of collage made of
drawings and tangible objects allows to uncover the tacit layer of the
experience: what was meaningful and sense-containing. It sheds light on
the most important aspects of the urban space which contribute to our
experiential knowledge.</div>
</div>
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And then everybody did a walk, equipped with a set of tasks and questions like:<br />
<div>
Walk where you normally don't.</div>
<div>
Do you see an unusual color?</div>
<div>
Where are most of the people? go there and do what they're doing.</div>
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Can you find somewhere to rest?<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ztzDew8zQ4XsdBeG8wzOPUSBfLKLq61S27rD2AdrLuK_6O4ohDS_itTo0RPU-pkbnRJvviXuESYpW75hxV0xkp6Rue-WBO8xF7Z3MzAGgmULWKfBT2MkjcSv1lKtulOXH6qaoVBHJv_c/s1600/kuva4231.jpg" imageanchor="1"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ztzDew8zQ4XsdBeG8wzOPUSBfLKLq61S27rD2AdrLuK_6O4ohDS_itTo0RPU-pkbnRJvviXuESYpW75hxV0xkp6Rue-WBO8xF7Z3MzAGgmULWKfBT2MkjcSv1lKtulOXH6qaoVBHJv_c/s320/kuva4231.jpg" width="240" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeisD70K97LFB1Ke0-tJkL8to5un-kcBkIIylT1jsEqYHRpmf0mhGmWtvDbE4TrYAumDthUBiSBPwKT0gB8h7Q9cinAlIMi9_-0C82LXWeNhcLmfPTcOieXMhcZnX-5J16PVSfC_gw7FrA/s1600/kuva4228.jpg" imageanchor="1"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeisD70K97LFB1Ke0-tJkL8to5un-kcBkIIylT1jsEqYHRpmf0mhGmWtvDbE4TrYAumDthUBiSBPwKT0gB8h7Q9cinAlIMi9_-0C82LXWeNhcLmfPTcOieXMhcZnX-5J16PVSfC_gw7FrA/s320/kuva4228.jpg" width="240" /></a><br />
<br />
<br />
And then we drew maps of our walks.</div>
<div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtlntefk27OTjVoRgkvMeJY3kRaxvsJFbWyJb05dnzia4Qo0_ZhyphenhyphenG3a404mawAz-Gt3IaYzocC3rZnHJGOaJzOTChJQTY8pqQkCwNFDacHYa7B-fDA9y-hcuIy_tPSu1zDFLMzPxf0QvoS/s1600/map-1.jpg" imageanchor="1"><img border="0" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtlntefk27OTjVoRgkvMeJY3kRaxvsJFbWyJb05dnzia4Qo0_ZhyphenhyphenG3a404mawAz-Gt3IaYzocC3rZnHJGOaJzOTChJQTY8pqQkCwNFDacHYa7B-fDA9y-hcuIy_tPSu1zDFLMzPxf0QvoS/s320/map-1.jpg" width="320" /></a><br />
<br />
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<br /></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5735195836157885292.post-10811463092470789152016-04-10T22:30:00.004-07:002016-04-10T22:32:45.306-07:006.4. What is urban?<div class="MsoNormal">
“- Would you have three hundred strangers in your
neighborhood?<o:p></o:p></div>
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- Fuck yes, it’s called city dwelling, you fucking buckets.”<o:p></o:p></div>
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<br /><br />“Great cities are not like towns, only larger. They are not like suburbs, only denser. They differ from towns and suburbs in basic ways, and one of these is that cities are, by definition, full of strangers. To any one person, strangers are far more common in big cities than acquaintances. More common not only in places of public assembly, but more common at a man’s own doorstep. Even residents who live near each other are strangers, and must be, because of the sheer number of people in small geographical compass.<br /><br />The bedrock attribute of a successful city district is that a person must feel personally safe and secure on the street among all these strangers.”<br />Jane Jacobs, The Death and Life of Great American Cities, p30.<br /><br /><br /><div>
Quotes about the impossibility to define “the city”<br /><br />Weber: The many definitions of the city (have only one element in common)<br /> (What he actually says is, the city may be defined in many ways – the same that St Paul says about God. Theologians have taken St Paul seriously.)<br /><br />Simmel: In the same way, a city consists of its total effects, which extend beyond its immediate confines.<br /><br /> Park: A sociological definition of the city must accept the fact that such a complex phenomenon cannot sufficiently be characterized by any one characteristic, or with a combination of formal and random characteristics.<br /><br />Benjamin: The city is uniform only superficially.<br /><br />Canevacci: The city presents itself polyphonic from the first encounter.<br /><br />La Cecla: The city is not only that which we know, but the reserve of unknown that we know to exists, and which calms (or disturbs) us for the fact that we may come to know it.<br /><br />Jacobs: No single element in a city is, in truth, the kingpin or the key. The mixture itself is kingpin, and its mutual support is the order.<br /><br />Kostof: Cities never rest; they resist attempts to explain them neatly … in the end, the truth about the city is mobile.<br /><br /><br /> Founding elements of the city:<br /><br />1. Impossibility to define : you may try to define what a/the city is, but it is too complex a phenomenon to be characterized unequivocally or formally. The city resists attempts of clear definitions.<br /><br />2. Essential plurality/ multiplicity: The city is polyphonic, a mixture, a self-contradictory multiplicity and its uniformity is only superficial.<br /><br />3. Extension: The city extends over the visible; over its own proper boundaries and over all that is immediately present and visible. The city includes what is strange to it.</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-5735195836157885292.post-69309761972778214392016-03-31T05:03:00.001-07:002016-04-01T08:12:40.929-07:00Course ProgramFrom the course description:<br />
<div>
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"The course studies the meaning of “urban” through lectures, discussions, assignments and individual or group projects exploring the concept of urban in the context of Otaniemi. Themes: what is urban, how can it be built? Urban in history, Finnish and Helsinki urban; urban everyday practices and life-forms; contemporary art and the urban. The last week of the course is dedicated to a series of experiments to urbanize Otaniemi through installations, performances, projections, events, works of art."<br />
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To put it simply: the idea is to study what is urban and what Otaniemi is, and momentarily make Otaniemi urban. The course is pretty intensive and has been allotted a lot of time, but it is meant to be mostly about doing, thinking, discussing things together. <br />
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Urban Otaniemi course program:<br />
6.4. What is urban? What is the city? A lot of discussions, some lecturing and some assignments.<br />
7.4. Walking Otaniemi. PHD student Anna Kholina will tell about her doctoral study and carry out experiments of seeing Otaniemi differently.<br />
13.4. Looking at Otaniemi from the history perspective, lecture by historian of architecture Kristo Vesikansa. Imagining Otaniemi with Anna Kholina.<br />
14.4. What is the metropolis? Lecture by Eetu Viren, discussions, experiments.<br />
27.4. Literature seminar: going through a choice of texts - that you have read and present.<br />
28.4. Plans for Urban Otaniemi<br />
9. – 12.5.: Building the urban in Otaniemi<br />
13.5. Urban Otaniemi Day.<br />
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In addition to the course itself, those students who are interested are invited to participate in the IDEAS CITY PORI in 3H+K Gallery in Pori, between 30.4.-19.5.2016., an exhibition by Anna Jensen and Eliisa Suvanto in collaboration with Pori Live project. Participants will have their travel and accommodation to Pori covered by Aalto’s PUPA-support.<br />
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During the exhibition the gallery space is filled not only by visual arts, but also by workshops, lectures and interventions. The aim of the exhibition is to explore and challenge our ideas of the city space and create an open laboratory where researchers, artists and students can contemplate their ideas share their knowledge. Urban Otaniemi students can present their work through documentation or organize an event in the gallery/ Pori.</div>
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